I am always struck by how surprised audiences are when they see a powerful performance by a neurodivergent artist, or in the case of the performers I work with, someone with Down’s Syndrome. Such performances are seen as something exceptional because, sadly, our stages still fail to reflect the full spectrum of society. Despite our best intentions, we often slip into clumsy condescension and paternalism when praising these artists.

I fear that this swirl of feelings and reactions to inclusive performances stems from an underlying sense of superiority. Admitting this is painful, just as it is painful to acknowledge that we are all capable of sexist or racist behaviour.

As disability activist Alexandre Jollien says, pity is the most destructive weapon against individuals. Or, as the influencer La Inusual, who has cerebral palsy, puts it: “I’m going to stab the next person who calls me a champion.”

Where did we learn that the art of communicating through dance or theatre is incompatible with neurodivergence? As long as there is talent, commitment or whatever it is that brings us onto the stage, we ALL have the right to be seen and admired.

That is what this piece is about: normalising disability once and for all, albeit with a touch of biting humour and no room for condescension. With all our love, as always.